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Archive for the ‘creativity’ Category

More fun……..

thanks for sending me that link Amy

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This is quite the funniest and most original and creative video I’ve ever seen on youtube.

If you’re feeling in need of a good laugh, watch this…….

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Last weekend’s Sunday Herald carried an article about Edwyn Collins. The headline spread over two pages was “I’m happy basically….but before my stroke, I wasn’t really”. Well, as you might imagine, that caught my attention.

Edwyn Collins is a singer. You maybe remember his 1994 hit “A girl like you”

Just over couple of years ago, aged 44, he suffered a stroke. A serious stroke, paralysing his right side and taking away his speech. But here’s a man who doesn’t give up. Through determined rehab with incredible loving support from his wife he’s not only singing again but is about to release a new album. Although right handed he’s also taught himself how to draw again using his left hand! It’s an amazing interview.

I have a stroke to deal with. But I’m feeling positive. And feeling relaxed, and generally focussed on things. I’m relaxed and dreaming all the time. So my life is happy at the moment. I feel connected. I feel alive again.

His wife adds

I think you’re a better tempered person. You cope. And you have patience. And you’re not self-pitying at all. You’re not even depressed………We’ve got so much to feel…….

and Edwyn finishes her sentence

…..to feel grateful for.

Well, what do you think? Health and the absence of disease are not the same. It’s wrong of us to write people off who have a chronic illness or disability. You can experience “health” in both the absence and the presence of disease.

This is a story of someone who believes their life got better through the experience of recovery from illness (same kind of story Lance Armstrong tells in his autobiography, It’s Not About the Bike). Notice the elements of Edwyn’s story. All of these were involved, sorry, are involved in his recovery –

  • hope
  • loving relationships
  • determination
  • patience
  • an absence of self-pity
  • a capacity to cope
  • creativity
  • music
  • drawing
  • slowing down
  • reflection
  • dreaming
  • gratitude

Worth thinking about?

Finally, when I searched for him on youtube I first found A Girl Like You but then I found this – I’m sorry I can’t show that video clip here, the person who posted it to youtube has disabled embedding but please follow that link and listen to the lyrics. “Make Me Feel Again” was recorded in 1993. Don’t you think that’s amazing?

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Daniel Gilbert in Stumbling on Happiness makes the point that we make things up when we remember, we make things up when we observe the here and now and we make things up when we imagine the future.

He uses a version of a card trick in his book to illustrate a point about how we observe and remember. I tracked down an online version of it – look at this card trick and see if you can work out how its done.

Then when you’ve done that, watch this video of another card trick. The video also explains how the trick is done and the revelation really is a revelation. You’ll be amazed!

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The movie {Proof} starring Gwyneth Paltrow, Anthony Hopkins and Jake Gyllenhaal got me thinking (well, there’s a surprise you might say!) It got me thinking about a number of issues. Here’s a couple of them.

How do you prove anything? The basis of the scientific method is (according to Popper) falsification. He meant that nothing can be proven but testing can reveal a hypothesis to be false – and so science progresses, coming up with more and more robust hypotheses which are harder to disprove. Of course, in mathematics, advances are made by writing “proofs” which are solutions to puzzles or dilemmas I suppose (don’t ask me, I’m not a mathematician!). A key part of this movie is how to show who actually wrote the groundbreaking “proof” – the father (Robert), or the daughter (Catherine)? What’s the solution? Well, can it be shown that the daughter could NOT have written the proof? If that can’t be shown, then her claim to have written it can gain strength.

OK, I know, that all sounds pretty convoluted. Don’t let that put you off. This is an intriguing and engaging movie, and not at all hard work!

So that’s the first theme – how do we know what we know? How can we ever be sure of anything?

The second one is the theme of how our traits, skills, and qualities come from our roots, from our origins. We can see qualities in ourselves that seem inherited and we can see some of our qualities in our children. We don’t start with a blank sheet, but neither do we start with a fully written script. We make our lives our own and each and every one of us is unique and different but there are threads that run through us which trail way, way back into other people’s pasts. Catherine seems destined to carry forward her father’s work having inherited his mathematical genius but she hopes she has not also inherited his madness. When her father dies, her challenge is to become herself in her own right. This reminded me of Kieslowski’s Blue.

In “Blue” Kieslowski considers how loss creates the possibility of new beginnings. The main character, Julie, loses her husband and her daughter in a car crash in the opening scenes of the movie and her way of dealing with her grief is to try to rid herself of all memories and connections with them. She tries to start again. But there’s no such thing as a clean sheet. Deleuze showed that we are in a continuous process of becoming and that in every present there is the past and the future. Interestingly, in “Blue” there is also the question of exactly who created a work. In this case, who composed the great music – Julie, or her husband? How can we know?

{Proof} also made me think about what it’s like for two people to create together and how, when it works well, what is created can NOT be attributed solely to one person. Yes, sure, an individual can sit alone and create, but something different manifests itself when the creative process is shared. I think that’s a good example of why its important to know a person within the contexts and connections of their life.

Here’s a fanvid of {Proof} – clips set to “I think I’m Paranoid”, by Garbage

And here are the last few scenes of Trois Couleurs; Bleu

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To become the hero of your own life you need to express your uniqueness and your creativity. Without uniqueness you disappear as one of the many. Without creativity you don’t express yourself and you don’t give to the world.

Here are two of my most favourite music videos. Both of them have uniqueness and creativity by the bucketload!

(just in case you are wondering, the first one is Around the World by Daft Punk, and the second one is OK Now with their amazing dance to Here It Goes Again)

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Blind Light1, originally uploaded by bobsee.

I went to the Hayward Gallery in London last week to see Antony Gormley‘s Blind Light Exhibition. I’ve always been enormously impressed with his work, ever since I first saw The Field in Inverleith House in the middle of Edinburgh’s Royal Botanic Gardens.
This is a fabulous exibition. It really makes you experience the issues of separateness, of how we all live all lives inside our bodies and how we connect from there to the outside world, how we fit and how we change the world we live in.
The exhibition starts as you walk to the Hayward which is on the South Bank. On the buildings far and near you begin to become aware of standing figures. These are all casts of Antony Gormley’s body. The more you see of them the more you see of them! Echoing each other into the distance, some near and looming large, some tiny and in the distance, and always, always they make you appreciate the scale of the urban landscape and the scale of a single person.
Stunning. Come and see.

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We have a real tendency to divide up our experience of the world, put the pieces into separate boxes and label them. Brian Broom talks about this in his excellent book, “Meaning-full Disease“. He says we discriminate, categorise and judge. It’s kind of how we make sense of the world. The human body is remarkable and is endowed with an incredible amount of sensory equipment to detect the world we live it – we sense light and colour, sounds, smells, textures and so on. In fact, our sensory systems are under constant bombardment. If we didn’t discriminate we wouldn’t be able to make sense of it all. We can only deal with so much at a time. We are pattern-seeking creatures, constantly trying to recognise and make sense of the sights, smells and sounds that surround us. Of course, we lose something in this process of discriminating. We ignore most of the signals coming our way and only pay attention to the ones that most interest us. As I said in an earlier post, “we are what we pay attention to“. If we want to grow, if we want to develop and change and not be stuck in deep ruts, then we need to shift our attention, to deliberately try to break our attention-habits and notice what else is in the world. I am a doctor specialising in homeopathic medicine. This is a method which is based on noticing difference. When a patient tells me their story, I don’t want to know just what symptoms they have in common with other patients I’ve known (so I can make a diagnosis), but I want to notice what is different, what makes this person unique. Picking out patterns is a good skill, but we just have to be wary that we don’t always only see the same old patterns. We also categorise everything. We love labels. Often a so-called diagnosis is nothing more than a label. I saw a little boy recently who had an itchy bottom. His mum said the paediatrician had diagnosed the problem as “pruritis ani”. That’s a latin label. You know what it means in English? Yep, “itchy bottom”. So how helpful is that label? Labels, categorising sadly tend to limit our vision. Once we place something in a box we tend to stop being aware of it, stop noticing how different it is from anything else in the same box. Finally, to judge those boxes, calling some “good” and some “bad”? I can’t remember who said it, but I remember once reading “Judgement stops thought”. How true. When we judge something and especially when we judge a person, we stop thinking, stop noticing and stop actually seeing.

Nothing stays the same. We are always constantly changing. We grow, we develop, we change. The processes of discriminating, categorising and judging create a false impression that the world is made up of fixed, separate things. It’s not true. Nothing exists except embedded in a web of connections, and nothing exists without changing. The world is not really so easy to pin down, and thank goodness for that. Life is dynamic. It flows, it moves and constantly changes. Too much pinning down, labelling and judging creates a false impression of a fixed, stagnant world. So, beware. Shift your attention, break your habits and try to see the connections between things, try to see how nothing just is anything, but instead how everything is in the process of developing and changing. Everything is becoming not being…….

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footprint, originally uploaded by bobsee.

I took this photo last week up in the North of Scotland. I don’t know whose footprint it is but it reminded me why I started blogging. I think it’s important to remember that we don’t go through life without leaving footprints, without making impressions. But we don’t think about that as we live the average day. It’s not possible to live without making impacts on the world and on the other people who share it with us.

This is not a “carbon footprint” but it does make me think about that whole issue – how we change the world by just living in it.

You know, I think life is better when we raise our awareness of living, and that means noticing BOTH the way we are affected by the world AND the way the world is affected by us.
What kinds of footprints did you leave today? On the physical world? And on other people? Remember Yeats’ poem?

Tread softly because you tread on my dreams.

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“This relentless restlessness liberates me,” Bjork sings in “Wanderlust,” which she calls the album’s manifesto. “I feel at home whenever the unknown surrounds me.”

These lines leapt out at me as I read this interview with Bjork in today’s International Herald and Tribune (no, I don’t read this paper every day but I’m in Tokyo this week and the hotel pops a copy under my door every morning). She’s being interviewed about her new album, Volta.

What strikes me are two statements here. “This relentless restlessness liberates me”. I so identify with that. I know it’s good to rest and it’s good to be still at times but I have this passion for life and an insatiable curiosity and wonder about the world. I know what that relentless restlessness feels like – and it IS liberating! We hear a lot about balance these days but we grow by pushing at the edge of things, accepting challenges, moving out of our comfort zones. The second statement is a really interesting one about creativity – “I feel at home whenever the unknown surrounds me.” Now, a lot of people are scared these days, and they are particularly afraid of the unknown. There’s an incredible drive for certainty and control in our society today. But creativity doesn’t thrive in controlled conditions. The biological concept of emergence is about the unexpected happening – the unknown and unknowable – until it happens – its the Black Swan.

Creativity is a basic human condition. It comes out of exploring, out of a movement from the known to the unknown.

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