I’m writing a book just now about “and not or”.
“And not or” is a concept I’ve been exploring for some time and I thought it was time to start writing down some of my discoveries more systematically because I thought that would help me to think and, hopefully, take my understanding to a new level. Well, I’m in the midst of all that and, so far, what I can is…..I’m really enjoying it! Hey, that strikes me as a pretty good reason to write….to enjoy it. When I say I enjoy it, I don’t just mean it is pleasurable. I mean I feel it adds value to my life and helps me to make more sense of it. It’s fulfilling.
I’ve also been browsing through some old digital photo libraries of mine and re-discovering images I haven’t thought about for years. I think that because I’m so immersed in the “and not or” idea of my book that I’ve developed a different perspective from the one I had when I took these photos, so now I contemplate them through that new lens. I think this particular image is a good example of that.
What do I see when I look at this photo?
I see two hills. One is dark and the other light. I immediately think of the yin yang symbol, with its dark half and its light half. Isn’t that pleasing? To see BOTH the dark and the light hills in the same scene?
I see the reflections of the two hills in the astonishingly calm surface of the loch. Clear, clear reflections, one dark and one light. Isn’t it delightful to see the objects and their reflections in the same scene? I think of the connections between the conscious and unconscious parts of our minds. How what lies below our consciousness, emerges into consciousness as a kind of reflection, at night, in dreams, and in the waking hours, in our emotions and thoughts.
I see within the reflections two boats. A black boat with a light cabin in the middle of the reflected dark hill, and a white boat in the reflected image of the light hill. Each boat has its own beautiful mirror image beneath it in the water. This symmetry of reflections reminds me of the fractal nature of the universe, with patterns and images cascading through time and space.
I see brightly lit sky and heavy rain-laden clouds above the loch, and I see the dark shoreline, grassy, and mossy and earthy, in the foreground. I love this spread of earth, water, air and light and this one image.
I see the activities of humans, the little boats, some for fishing, some for pleasure, and the machinery on the raft in the middle of the loch. And towering over these little boats and equipment, are the magnificent, rocky hills, standing like quiet giants, watching what lies at their feet.
This is like a kind of meditation for me. As I explore this AND that AND these AND those and see the connections, the reflections, the symmetries and patterns, my mind and my heart slow down to match the pace and the rhythm of the scene.
I hope you get a similar experience.