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Archive for the ‘perception’ Category

twelve-project-day-ten

Day ten of my “twelve project” brings me to this photo which I took in October last year. It’s a picture of the river Charente as flows through the town of Jarnac, which is about a half hour’s drive from the village where I live.

The river gives its name to this whole region, the “Charente” and it flows to the Atlantic passing through the neighbouring region of the “Charente Maritime” on the way. But the river does more than give its name to this region. It is symbolic of, or maybe more accurately, it creates, the pace of life here. People say it flows steadily and calmly, just as you can see in that photo. I’ve been here just over two years now and I’ve never seen it churned up or terribly disturbed. It might happen sometimes but I’ve never ever seen it. Normally when you walk along its banks or look down from one of the bridges, it looks like this.

I encounter the river most commonly in three different towns. My “home town” of Cognac, half an hour to the East in Jarnac, where this photo is taken, and half an hour West to Saintes. In all three of these towns the Charente looks like this. Yet in each of these towns it is also unique and different, because a river isn’t just the water, it’s the banks and the land around the water.

I think it’s not just that it is calming to watch the water flowing so steadily, it slows you down. It slows you down by capturing your attention so that you stand and gaze at it for a while, or you are drawn to wander along one of the miles and miles of footpaths which follow its course, and as you wander it seems the river is keeping pace with you. It’s wandering too. Or is it the other way around? Do we unconsciously fall into step with the river? It slows you down another way too, because when it flows this way the surface is typically highly reflective. Look at the reflections in this photo. It was the sparkle of the sunlight on the lily leaves which initially caught my attention this day, and it was only just after that that I noticed the reflections of the little clouds floating by. It inspires you to reflect.

I love rivers. I grew up in the town of Stirling in Scotland. The River Forth winds its way towards, through and beyond Stirling like a great ribbon, or maybe a snake. You can see it best from Stirling Castle. Standing at the castle gazing down to the Old Bridge, following the curves of the river with my eyes as I look towards the Ochil Hills is one of my strongest memories. It’s one of those scenes which embeds that place in my identity.

I love the symbolism of rivers, how they are never the same two days in a row. As Heraclitus said “you can never step in the same river twice”, reminding us that every moment changes and every moment is unique. I love how you can’t look at a river without imagining both where it has come from and where it going to. It’s like a story. It is present in front of you now, but it brings into this present moment, the past, from the springs in the hills, through its journey of days or weeks, and it holds within it all the potential to become the river it will become as it flows towards the sea.

I can’t think of rivers without thinking of the incredible water cycle of the Earth. How the rivers flow to the sea, how the wind and the sun lift the water into the air, how it condenses to make clouds which then dissolve into rain on the hills and the mountains to create the streams which flow together to create the rivers again. I like that I can see at least part of that in this photo with both the river and the clouds sharing the same space in my picture.

 

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twelve-project-day-eight

Day eight of the Twelve project takes me to August 2016 (I’ve selected one image for each month of 2016 and I’m posting one a day for twelve days). The big thing for me in August was my first ever visit to Spain. The Spanish border is just four hours drive from where I live in France so you can leave first thing in the morning and have lunch in Spain. I’m not going to write about that whole trip and all the places I visited here but I’ve selected this one image because it captures one of the main threads of that story.

This photo is taken in the Alhambra in Grenada. If you’ve ever thought of making a “bucket list” of places you want to visit before you die, then I highly recommend putting the Alhambra on that list. It’s best to buy your tickets in advance (here’s the official site for buying them online) and you have to select both the date and the time you want to visit. There are a limited number of tickets for each half hour period of the day to manage the flow of visitors. Here’s the number one tip – buy tickets for the 0830 entrance – its the first entrance of the day before it starts to get too busy and way too hot.

This one photo reminds me of several of the things I loved best about my visit.

The shapes of the windows and doors. There are so many in the Alhambra and Generalife site. You can wander from room to room as you wish, unless you are on an organised tour in which case you have to go with your chosen crowd. I prefer to explore freely. Every room you enter has beautiful, enticing windows and doors. You’re drawn to them, both to look through to see what’s on the other side, and to pause and admire their shape, design and decoration.

The decoration – there are just the most astonishing patterns in the stonework and the plaster everywhere. They reminded me of the Celtic knots and Pictish patterns on the ancient stones in Scotland but they are different from both of those. One glance at them captures you. They are beautiful at that very first look, but then you’re drawn into them, exploring more of the detail and noticing how the patterns both repeat and evolve. If you look at the walls, archways and frames in this photo you won’t see a single area left unadorned. The whole place is like that. Room after room. But look down too under the double window and to the left of it….see the mosaic pattern of the tiles? That’s the other major design feature here, the tiles. There are so many different tiles creating so many different patterns in so many different combinations…..the diversity, the creativity, the workmanship….breathtaking.

Through the double window here you can glimpse a garden and that’s one of the things I loved best about the Alhambra….the courtyards and gardens, with trees, flowers, bushes, fountains, pools, paths and benches. The fact that the windows and doors are all wide open to the outside spaces breaks down the boundaries between the inner and outer parts of the palace.

Light and shade – the shadows, the reflections, the contrasts of light and shade are as varied as the patterns on the tiles and walls. I don’t know if they designed the place to give you that experience of light and shade but I’ve never seen anything like it anywhere else.

I know there are many, many, beautiful places to visit in the world. Too many for any of us to experience in one lifetime. But despite the crowds the Alhambra made a huge impact on me. A lot of my photography is of Nature  but this was one of the places where it was the unique creativity of human beings which was almost overwhelming.

We humans really can create the most beautiful, varied, delightful world when we work together with focus and determination.

Patience and persistence – I’d say these are two of the skills I learn to practice every day living in the Charente – and those are the very two skills needed to create beauty. Slowing down, paying attention to the details and enjoying every single moment to the full.

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twelve-project-day-seven

Day seven of the twelve images over twelve days, one photo from each of the months in 2016 – Happy New Year to you, by the way (I’m writing this on the 1st of January 2017)

We have a number of buddleia bushes in our garden. Most of them produce these amazing purple flowers (one produces white flowers) which butterflies and hummingbird moths just love. I like to sit close to these bushes where I am surrounded by dozens of these beautiful creatures. The wings of the hummingbird moths are so fast that they emit a deep buzzing sound so you know when they are around, but the butterflies are completely silent.

I can watch them for ages. I love to see them up close like in this photo. You can see them delicately slipping a long proboscis into the centre of each little flower. They are so quick and so accurate. And of course their wings are painted so gloriously.

The butterflies stimulate two trains of thought for me – unpredictability and change.

I’ve tried to see if they work around a bush in any kind of methodical way but I can’t see that they do. Every move seems totally random. They’ll be selecting one little flower after another to explore, then suddenly they fly off into the air, zigzagging around, up, down, left and right, then might settle again on the exact same flower they had just left, check out a different part of the bush or fly off to a neighbouring bush. There’s just no telling where they are going to go next. Their whole movement seems to embody randomness. It’s quite something.

Then if you stop to think about how the butterfly you can see is only one stage in a cycle of astonishingly different forms you realise very quickly why they are the symbols of metamorphosis and change. From egg, to larvae (caterpillar), to pupae (chrysalis) and the beautifully winged creature. A life of the most incredible phases and changes. As far as I know nobody has managed to explain how this cycle of change came about. We change throughout our whole lives, and our bodies change a lot, but not as much as these butterflies. Maybe our most astonishing changes are on the inside – our psyche and and our spirit?

Then when I get thinking about these butterflies and wonder where they go when the buddleia are not in bloom I find that many of them are migratory, traveling between Africa and Europe, cycling back and forth between very specific locations. How do they do that? How do they find their way over hundreds, no thousands, of miles? But wait, it’s even more amazing, because for some of them the journey is long it takes several generations of them to complete it. Now how do they do that? How does the great great grandchild of the butterfly which left my garden find its way back to my garden when its parents and grandparents had never ever lived here?

So, here’s what the butterfly in this photo is the symbol of for me – curiosity and the unfathomable depths of our human lack of knowledge and understanding?

So much to learn, so much to discover, so much to understand.

 

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twelve-project-day-five

The photograph I selected for Day Four of the Twelve project reminded me of one of the days when colour and light grabbed my attention. Day Five’s photograph was taken the day that a noise I’d never heard before made me stop what I was doing and open the front door to find out what was on earth was happening.

The noise started suddenly and seemed to completely fill the world. It was a clattering, hammering, thundering noise, like the heaviest of heavy rain but with a harder quality to it. When I opened the door I saw chunks of ice falling everywhere. When it hit the garden table and chairs it played them like a set of drums. When it hit the grass it bounced back up a couple of feet before landing back down again – the grass was covered with white pieces, not like snow, not like frost, but as if a giant bucket of white marbles had been poured out from the sky. I could here a very strange noise which was the sound of the hail tearing through the leaves of the mulberry tree and all the other plants in the garden. Leaves, and bits of leaves, were flying everywhere. I held out my hand and was immediately stung by hailstones.

There was nothing to do but wait till it passed. Of course I grabbed my camera and took some video clips to record both what I could see and what I could hear. It lasted about fifteen minutes, then it stopped, as suddenly as it began. I wandered out and started to look more closely at the ice particles.

Every single one of them was different.

There were ragged, irregular ones, round ones, opaque ones, transparent ones, some which looked like small sculptures and they were a huge range of different sizes. I photographed many of them.

This one particularly caught my attention because it looked for all the world like an eyeball, which was spooky to say the least.

I look again at these photographs and I’m astonished at the diversity. I read many times that no two snowflakes are identical but to see that played out around my feet in these ice particles made that fact all the more powerfully real.

Water. It’s just water. How incredible that it can form into what appears to be an infinitely large range of shapes and sizes.

And what power! I wrecked havoc in the vineyards around here. In a neighbouring village the storm lasted twice as long as here – half an hour – and in that time it destroyed the entire year’s vines.

 

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twelve-project-day-four

Day Four of the Twelve project – 12 images, 12 months, 12 posts over 12 days.

In April the garden filled with colour as the bulbs we planted months ago shot up and expressed themselves with fabulous flowers. There’s an old saying about “March winds and April showers bring forth May flowers”, but Nature is never as predictable as that. Nature doesn’t use protocols or obey a limited set of strict rules. But there’s still something in that old phrase, not least a call to remember that wind and rain are necessary factors in the seasonal cycles of plants.

I start every day by stepping outside into the garden. I open all the wooden shutters to let the light in through the windows and I turn my gaze to the garden, the field, the vineyards and the sky. Colour catches my eye. A splash of white, red, yellow or blue. I’m drawn towards it. So on this April morning I was drawn to this particular flower and as I bent forwards to look more closely it took my breath away.

The water droplets beaded along the edges of the pink-fringed petals caught the morning sun and sparkled like precious jewels. The shadows of one petal inside another gave me the impression that light was actually emerging from within the flower itself. The delicate pattern of the pink on the white petals looked as if the flower had been lightly dipped into red paint, some of it running slightly from the edge down into the rest of the white petals.

It looked brand new. Freshly made.

Here in this one flower I could see the emergence of the alchemy of Nature working with the four elements – creating its green stalks and white petals from the earth, drawing the energy of the fire of the sun to grow and unfold itself, gathering the elements from the air to forge them into substance, and all with the life-giving power of water.

And maybe more than anything else, it is utterly beautiful. A true work of art.

How lucky are we to be surrounded by such magic and beauty.

“L’émerveillement du quotidien” – the wonder of the everyday.

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twelve-project-day-three

Day Three of the Twelve project – 12 images, one for each month of 2016, used to create 12 posts, one each day for the 12 days of Christmas.

In March 2016, I visited Marqueyssac gardens in the Dordogne. This wonderful place has several, vastly different areas, from woodland scattered with art works, to winding rocky paths on the edge of a cliff, to this astonishing area of topiary.

I’ve seen lots of topiary elsewhere but usually its the odd bush shaped like an animal, or a small planting of bushes shaped into pyramids or spheres, but here…..well, for a start there are more shaped bushes here in one space than I’ve ever seen before, and, more interestingly, they retain a fundamentally organic form. They don’t just look like bushes fashioned to appear like something else. They retain the diversity you usually associate with Nature. The way they grow together also gives a strong impression of a community, or, from a little further back, a whole organism.

This was my inspiration this year for my writing about the two universal forces – whether we think of them as the forces of chaos and order, of wildness and discipline, or of flow and structure, we find them at work everywhere. And here, in Marqueyssac we see how something utterly entrancing emerges when we get a true integration of these two forces.

This has been such a year of divisions. Dualistic, or binary, thinking seems to be on the rise – you have to choose sides. One is good, the other is bad. You can choose science or art, reason or emotions, right wing or left wing….and so on. When we do that with the fundamental forces we end up emphasising order and control at the expense of freedom and wildness, or we choose structure over flexibility, but actually, in the universe, the greatest beauty, and the release of the greatest potential comes when we aren’t forced to choose one at the expense of the other.

I think the clearest way to think about integration is to consider the relationship between our heart and our lungs. They are completely different organs, grown from distinctly different (“well differentiated”) cells. The heart works best as a heart, and the lungs work best as lungs. Neither would do so well if our body chose between them and supported only the heart, or only the lungs. Turns out that the heart can’t be at its best without the lungs, and the lungs can’t be at their best without the heart. They work together for their own, and for each other’s mutual benefit.

That’s the definition of integration which I like best – the creation of mutually beneficial bonds between well differentiated parts.

And that’s what I see when I look at Marqueyssac gardens – discipline and wildness, structure and chaos, beautifully integrated.

Even without any of these thoughts, these gardens would have been wonderful to visit. Take your time. I spent about three or four hours there and could probably have spent longer (if I’d started earlier!) What an experience! It stays with me, not simply as a memory, but as an inspiration, a series of images, a stimulus to my imagination and my thought.

Places like these are the special places on the Earth – they act as our muses. They lift our spirits, and reach deep down into our souls.

 

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Day one January.jpg

Towards the end of the year we tend to come under the influence of Janus, the god of beginnings and endings, who is usually represented as having two face, one facing back, and one facing forwards. That’s where we get the name of the month “January“. He is also god of gateways, doorways and transitions. As I transition from 2016 into 2017 I decided I’d look back over the twelve months of the year and select one photograph I’d taken for each month. I’d choose on the basis of liking the photograph as an image, but also because that moment in my life was a special moment, a day I want to remember because it was an “ordinary day” where it felt “extraordinary”.

I’ve been living in France for a couple of years now so I thought this would also be an opportunity to share something of my experience of the quality of life I’ve been blessed to find here.

Here’s my moment from January.

I’m living in rural France, in a traditional Charentaise style of house at the end of a short road which becomes a trail through the surrounding vineyards. Having lived in a second floor apartment in Scotland for many years before moving here, living in a house with a garden on the edge of the countryside is a huge change for me.

Maybe on the main differences is how much I notice Nature now. There are a lot of birds around here, and many of them are species I’ve never seen before. I’m learning not just what their names are, but what their French names are too, and I’ve bought a beautiful huge book about the birds which live in this part of France. Sometimes its their movement which catches my eye, the way they fly over the garden, or the way they hop back and forth between the trees, the bushes and the grass. Sometimes its a flash of colour, a splash of blue, or yellow, or red. Sometimes its their song or their call which grabs my attention and I scan the landscape to see who it is who is calling.

I discovered that you can buy bird food in the local garden centre, so I bought a bag of these “fat balls” and hung them from the mulberry tree which had shed all its leaves at this time of year. I found that if I hung the balls from the branches, it was mainly beautiful tits and finches which came and clung on to the netting while pecking away at the food.

Look at him. Isn’t he beautiful? Life astonishes me. Every day. I look at a little creature like this and I’m in awe. I wonder at the diversity of Life, at the emergence of Life in the creation of the Universe. I wonder at the beauty we can see wherever we look. It delights me.

Thank you, little bird, for sharing this part of the world with me.

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vine-fog

I stepped outside to open the shutters this morning and was stopped in my tracks by the fog. Yes, of course, I SAW the fog when I opened the door, but it was the SOUND of the fog which stopped me.

I stood there and thought “Is this Sunday?” (It isn’t, it’s Tuesday), because in this part of the world, sundays have a very particular sound – a sound of silence. But this was different. It was like the sound of snow. Except it wasn’t. When you stand outside in the snow the world has a distinct quality of silence. A kind of muffled silence. This silence was different from that. It wasn’t a silence which muffles, it was a silence which made the world clearer.

How can a silence, a fog, make the world clearer?

I didn’t have an answer to that question so I did what I usually do. I got my camera and took a couple of photos. Don’t the vines look like dancers in this photograph? Doesn’t the grass look richly green? The fog brings the foreground closer. Ah, yes, maybe that’s the answer. By hiding the distance with a veil, the fog has concentrated my attention on the near. The here. The now. The present.

I listened for a few moments. Nothing. Silence. No wind, no rustling of leaves. Then the sound of a pigeon with its squeaky wings flapping above me. But I couldn’t see it. Silence again. Then out of nowhere a flock of maybe thirty or so starlings, rushing from one tree I couldn’t see to another. A sudden appearance, as if from nowhere, and gone again in a second, to nowhere else.

I peered over the fence and thought I could see a solitary bird perched on one of the vines. I zoomed in my camera lens and saw it was this –

foggy-view

A few late leaves, still standing strong, reaching upwards to a sun we couldn’t see. (“We” being the leaves, the vines and me) Isn’t there something strangely beautiful about such a view? The lack of detail makes the details which I can see even more powerful. Not vivid. But powerful.

Oh, what a delight. What a blessing.

Thank you, Fog, for this intensity, for this moment which made me feel so alive, so filled with the delight and wonder of the sounds, the sights, the scents, the coolness, of here and now – what a present!

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road

I was out for a walk recently and took this photo. The winding road lit by the morning sun caught my eye. The road draws us along it, doesn’t it? We instantly, and largely unconsciously, follow its path through the vineyards, turning at the top of the hill to disappear over the top and behind some trees. Yet beyond that lies another hill, less distinct in this light, with a tower standing high on the right. What is that? What’s over there? Where does this road go?

It feels like there is a story here in the making. It feels like we are being encouraged to look into the future, to see what “lies beyond”. That’s such a great thing to do. Our brain thrives on novelty. The right hemisphere, in particular, is always on the lookout for the new, always paying its broad attention to the world around us, sensitive to changes, to new sensations, and seeking to connect us to them.

The other side of that metaphor however is “who laid that road?” Because if I want to go and explore over that hill and see what’s there, chances are I’ll automatically, without thinking about it, follow exactly that path. And there’s something else we all do every day. Follow the paths that others lay for us. We hear a lot these days about propaganda, about the slant on reality pushed by mass media owned by a handful of people, and rumours, lies and conspiracy stories spread through social media. Which all raises the question, “how am I to make my way through this life?” “Whose stories, whose paths, whose directions, am I going to allow to determine the paths I’ll take?”

charente-at-saintes

Here’s another image. I took this one while walking to the Saturday market in a nearby town. This is the Charente river. It looks like this pretty much anywhere you encounter it as it flows through this region (which is also called “the Charente”). It flows with a kind of ease. It rarely looks turbulent. People in this area use it as a metaphor for a way of life. No, maybe more than that, people in this area are influenced by the physical appearance and behaviour of this river in a way which encourages them to live “the slow life”, or, as is often said around here “soyons zen” (“let’s be zen” – relaxed, chilled out, calm).

I think I prefer the metaphor of the river to that of the road. The road seems more fixed somehow. Heraclitus famously said it isn’t possible to step into the same river twice. That’s so clearly true because you can see the water flowing by and you know it’s not exactly the same river now as it was even a few minutes ago. That teaching applies to everything in life of course. Even if a tarmac road isn’t all that different from day to day, you’ll never repeat exactly the same experience of travelling that road.

The river forks at this point where I took the photo. You can see some of it heading off to the left, whilst the rest heads to the right. Life is very like that too. We come to these natural branches, these forks in the road, and we have to choose which one to follow. I think its true that there isn’t necessarily a right choice and a wrong one, and if we at least choose consciously we can feel more “in the flow” in our own life.

Finally, look up into the sky of this photo of the river. There’s a third metaphor about travelling through a life. The contrails in the sky show us where the planes have been (approximately….these trails move and begin to disappear from the instant they are created), but they don’t show us where the plane is going (well, only very vaguely). This reminds me of how we make sense of life by looking back. We understand the present moment in the light of our life so far, the experiences we’ve had, the decisions we’ve taken.

As best I understand it we also make sense of the present moment by factoring in the possible futures we can imagine, so maybe all three of these metaphors have something to contribute – the road, the river, and the trails in the sky…..

 

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autumn-moon

The other evening the faraway glow of the sunset and a tiny sliver of moon both caught my eye at the same time. So I stepped outside with my camera.

I’ve got some shots of just the sunset, just the moon, and the sunset and the moon in the same frame, but this one includes the foreground and I love it all the more because of that.

Here I can see the last leaves of the mulberry tree in front of the now bare plum tree with the silvery sliver of moon hanging high above them as the sun, which has by now sunk below the horizon, casts such a gorgeous palette of reds, oranges, tobacco and yellow, and the lights of the neighbouring village begin to twinkle before the stars do.

I love the setting sun, and I love the dawn. I love that rhythm of day becoming night, and night becoming day. I love that we can’t pin either the dusk or the dawn down to a precise time, in the way that the meteorologists tell us the exact time of the sunset and the sunrise. I love how the light disappears so slowly and reveals just some of its diversity which is hidden in the white light of noon. I love how it reappears in the same way it disappears but in an entirely different place.

I love the phases of the moon. Look closely and you can see the whole moon in this photograph. Here’s a close up which shows you that more clearly

first-phase

This isn’t a fantastic shot, but it’s handheld and spontaneous. It does show the whole sphere of the moon and the white crescent is more obviously the reflected white light of the sun than we sometimes realise. But just think how this photo was taken at the same time as the one above. That deep, deep red light of the setting sun caressing the Earth, and that radiant, dazzling white light of the now hidden sudden bouncing off the Moon.

I love the autumn too. Like the Spring it’s a season which makes you more aware of the rhythms of the Earth, and in particular, more aware of the constant nature of change.

So in this one moment I see the rhythms of the seasons, of the sun and of the moon.

I rather like that!

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