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Archive for the ‘personal growth’ Category

“Everybody needs beauty as well as bread, places to play in and pray in where nature may heal and cheer and give strength to the body and soul.” – John Muir

Just as we are constantly influenced by what’s inside us, so we are constantly influenced by what’s around us.

One of those influences is beauty.

 

Bay of Biscay

Monet like reflections

Moonrise over the Atlantic

Clematis

spiral

restaurant

A recent article in The Atlantic looks at the influence of beauty on happiness.

Beauty tends to feel like something that must be found in special places—parks and museums, galleries and exotic cities. Lunch is not a place one would normally think to look. But finding beauty in normal activities can bring deep happiness to life, studies show.

“In a paper titled, “Untangling What Makes Cities Livable: Happiness in Five Cities,” Abraham Goldberg, a professor at University of South Carolina Upstate, and his team conducted a statistical analysis of happiness in New York City, London, Paris, Toronto, and Berlin.”

In addition to the usual “Big Seven” influences (wealth, family relationships, career, friends, health, freedom, and personal values), Goldberg found that what makes people happiest is the beauty around them.

It seems part of humans’ appreciation of beauty is because it is able to conjure the feelings we tend to associate with happiness: calmness, a connection to history or the divine, wealth, time for reflection and appreciation, and, perhaps surprisingly, hope.

Beauty, famously, is “in the eye of the beholder” and maybe some of the images I’ve included here are not what you might find beautiful (but I do!), but what interested me about this article was not just that beauty can be found in big works eg architecture, great paintings etc, but also in everyday small objects and scenes.

I also especially liked the quotations towards the end which highlight a very interesting aspect of beauty – it’s connection to anticipation, or hope…..

“So long as we find anything beautiful, we feel that we have not yet exhausted what [life] has to offer,” writes Nehamas. “That forward-looking element is … inseparable from the judgment of beauty.”………… As the 18th-century French writer Stendhal wrote, “Beauty is the promise of happiness.”

 

 

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Blue flag

In the A to Z of Becoming, Part 2, G is for “Go”.

I’ve got three different contexts of the verb “go” for you to consider this week.

Firstly, as this is the month travel in the 12 monthly themes (the month of “Le Grand Depart”), where might you go? Are you planning any holidays, any weekends away, any day trips? Or maybe you could just break a routine and go somewhere different this week…..a different route to work, a different park for the children to explore, a different cafe, restaurant or even supermarket! Yep, just GO! Go somewhere different!

Secondly, “Go!” is a command. We shout it at the start of a competition or a race, but we can can use this ourselves to just start something. You’ve probably got a list of goals somewhere, either written down in a notebook, or rattling around in your head, so why not pick one and make a start? Take your first lesson in that foreign language you want to learn, or pick up that instrument you’ve been meaning to play, go out a buy a notebook to start your writing practice, sign up for exercise class…….whatever it is, just pick one and “GO!” Make a start!

Thirdly, we use the verb go in the phrase “have a go”, which means to try something. So why not give some thought to what you’d like to try and take the opportunity to do it? What would you like to “have a go at”? Baking? Cooking? Fishing? Tennis? Photography? Again, why not pick one and “have a go”?

 

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rock weathering

sparkling water

stained glass light

tree ripples

It seems the way are brains are made we are predisposed to notice patterns.

The scientific method is based on noticing patterns, describing them, and, in particular spotting patterns which repeat. Patterns which repeat give us the ability to predict – not just what might happen next, but what might happen if we take a particular action. In other words we can use what we learn from pattern spotting to manipulate objects. But there are no patterns which ALWAYS repeat and none apply in ALL contexts of time and place. The danger of pattern spotting is to generalise and turn repeating patterns into “laws” or “rules”.

Science can easily go wrong when it hardens into arrogance…….the arrogance which often arises out of conviction.

A good doctor recognises a pattern of symptoms and signs, makes a diagnosis, takes an action known to be likely to produce a particular desired outcome, but retains their awareness and curiosity to seek new patterns, to reconsider their assessment of the patterns and tries different actions when the first one fails to achieve what the doctor was trying to achieve.

After all, even weather patterns are unpredictable…..

 

 

barometer

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From small, delicate, beginnings…..

forest floor

…..to a life really lived……

a tree story

Amazing!

How such small seedlings grow to become such old and experienced trees…….!

What stories could they tell?

Who could have predicted the twists and turns, the traumas, the wounds, the opportunities, the new directions, the crises of survival, the creative responses to challenges, the relationships with the others in the forest?

How much more so for a human being?

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in the sea at sunset

 

 There is no out there which can be known in any way other than from in here

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Ripples

Ripples stimulate my thinking about influences – how every action we take has “unintended consequences”; how the future can never be predicted because emergence is a characteristic of all Life; and how the past appears again in the present as a co-creator of what we experience today.

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In the A to Z of Becoming, one of the verbs beginning with an “F” is to feel.

 

amv

To feel something means at least two distinct yet inextricably connected things in the English language.

Firstly, it refers to the sense of touch. Look at the moss covered rock in this photo. When I was actually in the forest and encountered this, I found it impossible not to touch it. Some surfaces, some textures seem to beg to touched and feeling them is both an experience of pleasure, and a voyage of discovery. Our bodily sense of touch allows us to feel things in this way. We can feel objects and we can feel the sensations which arise within our own bodies. For example we can feel hot or cold, heavy or light, stiff or supple.

Secondly, we use feel as a verb related to emotions. If you hurt someone’s feelings, you are upsetting them emotionally. We can say we feel happy or sad, anxious or relaxed.

What strikes me is that these two variations of feeling are inextricably linked. The verb, to feel, is a connecting word – it joins our bodies to our psyches.

We see this best in the way we use embodied metaphors in our language. If I say I feel hot and bothered, then I am probably experiencing both an increased temperature and a feeling of irritation. If I say I feel comfortable then I’m probably referring to both a feeling of physical comfort and ease and a mental state of relaxation. Tension is felt in the body and the mind at the same time.

There are many psychology studies which have examined this linkage. One of the ones which most surprised me was where the subjects in the study were asked by a researcher to hold a cup as the went up together in the lift to the room where the study was to take place. Sometimes the researcher had a hot drink in the cup, sometimes a cold one. At the end of the study session each participant was asked what the thought about the researcher and those subjects who had held a hot drink felt much more positive about the researcher than those who had held a cold drink. (You might like to think about that next time you’re having a meeting!)

Dan Seigel describes a meditation exercise he calls the “wheel of awareness” – you can read, and/or listen, to it here. You can try a variation of it focused on feeling –

Sit in a quiet place, get comfortable and close your eyes.

Take a deep breath in, filling your lungs with air, then slowly let the breath out, until your lungs are completely empty. Repeat that three times, then bring your attention to the physical sensations you can feel. Can you feel the ground under your feet? The cushion you are sitting on? The arms of the chair you are relaxing in? Does the room feel warm or cool? Take your time just to notice each of these feelings. Notice them, then return your awareness to your core.

Next, bring your awareness, methodically, to the sensations arising within your body. This section of the meditation is often described in mindfulness practice as a “body scan” (you can read the detail elsewhere, or here)

Finally, notice the feelings which are arising, or are present, in your mind. Notice them, name them, then return your awareness to your core.

Stop when you want to. Open your eyes, and, if you like, write down in your notebook a description of what you have just experienced. What links do you note between the feelings or sensations arising from the external world, those from within your body and the feelings which are present in your mind?

 

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Celtic knots

I love Celtic designs. I suppose I’ve grown up with them all around me, although what exactly is a Celt? And how Celtic am I? (As far as I know part of my ancestry goes back through Orkney to Scandinavia, and part goes back for centuries here in Stirling then maybe from northern France before that – my own ancestral Celtic knot!)

I think that apart from their sheer beauty, I like their intricate looping interconnected-ness.

There’s something of this kind of knot which is mandala-like and something about it which captures similar themes to the yin-yang symbol, but I feel more deeply in tune with these Celtic designs.

This one is on a gravestone in Inchmahome Priory on Inchamhome Island in the middle of the Lake of Menteith.

Which traditions of drawing touch you most deeply?

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Sometimes reading a book creates a feeling of slipping into another world. Page turners do what they say on the tin and the way they are written makes it difficult to put them down, but they don’t always create a world to immerse yourself in. This week I read Alan Spence’s Night Boat and, for me, it is one of those books which creates a whole world to live in for a wee while. In fact, I think the particular feel of the Night Boat reminded me of the feeling I had at least 40 years ago when reading Kazuo Ishiguro’s Artist of a Floating World (I’ll need to go back and read it again and see if it does the same thing for me)

I’ve always had, and still have, a bit of a complex relationship with Zen – partly I feel incredibly drawn to it, and partly I feel it’s just not for me. Reading the Night Boat pulled me right into that complexity. Over all this isn’t just a novel, it’s an experience.

As a story, this is a fictionalised autobiography of the life of one of the great Zen teachers – Ekaku Hakuin.

I didn’t know the story of Ekaku Hakuin but I’d certainly heard the koan about the sound of one hand clapping and koans, those provocative conundrums of Zen teaching, are a core element of his story. There are also several haikus and poems which I think were written by Alan Spence, but maybe some of them are translations of Hakuin’s poetry?

At one point Hakuin talks about “Zen sickness” which is an illness experienced by many of the monks following the Zen path to Enlightenment. Here’s what he says –

Many years ago, I said, I met an old sage who cured my Zen sickness.
How did he do that?
Like with like, I said.
Hair of the dog. The cause of the sickness is also its cure. Zazen made you sick, zazen will cure you. 

Hmmm…..interesting! There’s a concept worth exploring!

One of the classic translations of Hakuin’s work is by Philip Yampolsky (“The Zen Master Hakuin. Selected Writings”) and early in that text he says this about doctors –

The inspired doctors of old effected cures even before a disease made its appearance and enabled people to control the mind and nurture the energy. Quack doctors work in just the opposite way. After the disease has appeared they attempt to cure it with acupuncture, moxa treatment, and pills, with the result that many of their patients are lost.

Hakuin lived in Japan between 1686 and 1768. Yet this idea of what made a good doctor is still something we are a long way from realising. His idea of the “inspired doctor” sounds to me like someone who helped people to be healthy rather than someone who tried to control disease. In fact he calls the doctors who used the various therapies available to “attempt to cure” disease “quack doctors”.

I’m also struck by his emphasis on “[enabling] people to control the mind and nurture the energy”. How much does the practice of Medicine these days “enable people to control the mind and nurture the energy”? Don’t you think we could do with a bit more of that?

 

 

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Spirit

I came across this symbol on a flat gravestone in Inchmahome Priory.

The way the moss had grown on the stone emphasising the symbol itself was what caught my eye.

At first glance I thought it was the symbol for the planet Mercury – but in fact, that’s a bit different.

With a bit of searching around I came across one of the alchemical symbols for spirit and that looks much more like this (the difference being that the only spirit symbols I’ve found have the cross bar through the shaft rather than at the end of it as it is in this one)

What do you think?

Is this the symbol for spirit? Or something else?

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