When our destiny is attained Nature alerts us by a clear sign. And that sign is joy. I mean joy, not pleasure. Pleasure is only a contrivance devised by nature to preserve life, and does not indicate the thrust and direction of life. But joy always announces that life has succeeded, gained ground, conquered. All great joy has a triumphant note…….wherever there is joy, there is creation; the richer the creation, the deeper the joy (L’Énergie spirituelle, Bergson. 1919)
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William James wrote –
Practically everyone knows in his own person the difference between the days when the tide of this energy is high in him and those when it is low, though no one knows exactly what reality the term energy covers when used here, or what its tides, tensions and levels are in themselves . . . To have its level raised is the most important thing that can happen to a man, yet in all my reading I know of no single page or paragraph of a scientific psychology book in which it receives mention. (The Energies of Men, 1907)
What is this energy he is talking about? I’ve often wondered about that. When I gave talks to young medics I would often start by saying “Let’s make a scale for energy. Let’s say 0 is the lowest energy you can imagine experiencing, and 10 is the greatest. Where would you put yourself on that scale right now?” Then I’d go round the room getting everyone to say what level of energy they were experiencing. Everybody answered. Everybody instantly offered a number on the scale. Then I’d ask “How did you do that?” “What did you check to arrive at the number you gave?” Nobody knew.
Dan Seigel and his group who developed “Interpersonal Neurobiology” (IPNB) came up with this definition of “mind” (see if you can find other definitions of “mind”) –
A embodied, interpersonal process of regulation of energy and information flow
Pretty useful, isn’t it? But what is the “energy” which is being regulated?
Having read the IPNB definition it struck me that as complex adaptive systems, living organisms are constantly exchanging energy, molecules and information with their environments.
But again, just what is this “energy”?
What do you think? (And where are you right now on the energy scale of 0 to 10?)
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So matter resolves itself into countless vibrations, all linked together in uninterrupted continuity, all influencing each other, and travelling in every direction like shivers through an immense body. (Matière et mémoire)
If organisms are mutually dependent then it is wiser to cooperate than to dominate, and if life requires constant adaptation then nimble ingenuity is more effective than brute strength. (Life Lessons from Bergson)
If everything is connected to everything else then every action propagates its effects for ever, and if feedback loops are the method of propagation then every action also modifies the character of the actor.
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Is there anything more thrilling than witnessing or participating in creativity?
Whether it’s watching day by day as a seed grows into a full blossoming flower, or seeing a child acquire new skills through play and experimentation, acts of creation surround us.
We are a process of creation.
Every day we wake up changed, with new cells, new thoughts, new visions, new hopes and ideas.
Bergson wrote –
The more we study the nature of time, the more we shall comprehend that duration means invention, the creation of forms, the continual elaboration of the absolutely new. (L’Évolution créatrice, 1907)
This idea, that Life is its own creator and that creativity is not a late aesthetic refinement but the very principle of existence, was Bergson’s most radical and inspiring insight.
‘In the new scientific worldview I’m describing, we live in an emergent universe of ceaseless creativity in which life, agency, meaning, consciousness and ethics . . . have emerged. Our entire historical development as a species . . . has been self-consistent, co-constructing, evolving, emergent, and unpredictable. Our histories, inventions, ideas, and actions are also parts of the creative universe.’
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Michael Foley, in his Life Lessons from Bergson, gives an excellent, concise description of the complex adaptive system model (even though he doesn’t actually use that term)
There is also the intellectual problem that, in a complex organism, the whole is never merely the sum of the parts and the parts are never entirely independent of the whole.
One cannot claim to know somebody merely because one has collected a pile of printed information about them
An organism is a hectic, almost frenetic, process, operating far from equilibrium in a ceaseless metabolism that seeks out and draws in nutrients, converts them to energy, expels waste, and uses the energy to reproduce, and to regulate and renew its parts, so that its make-up is constantly changing though its structure is relatively stable.
there are no independent, isolated, finished organisms.
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There are many theories about memory, and as far as I can see, nobody has really got it figured out yet. Probably one of our most common models is a filing cabinet. We have the idea that everything that happens and everything we ever learn is stored away in some drawer inside our brain. When we want to remember it, we just need to go to the right drawer and take it out.
The trouble is, we haven’t been able to find anything remotely like this filing cabinet in the brain. At the neurological level there seem to be many regions of the brain involved in the processes of memory, not just the hippocampus, although that does seem to be very important.
Rupert Sheldrake, in his Science Delusion, proposed an interestingly different model – one of resonance. Briefly, he suggests that memory is stored outside the person and in the universe, so recalling something is more like tuning in to a radio station. Once you hit the right wavelength you have access to the memory.
Henri Bergson had a different theory –
His intriguing theory was that all memory is like the muscle memory that enables the body to recall how to ride a bicycle or to swim. These muscle memories are not stored as representations and, similarly, the mind does not store recollections but in perceiving a situation instantly brings into play the appropriate previous mental responses, just like the body discovering itself on a bike or in the sea. So memory does not wait patiently in some dusty archive but is constantly and urgently pressing forward into perception, to the extent that the characteristic movement of memory is not from present into past but from past into present
In some ways, this is close to the neurological teaching of “what fires together wires together”. Memory, in other words, isn’t like a photographic image, a book, or a film archive. It’s a constantly active process of engaging with the world. It’s not about a file waiting to be found with the help of the right card index. It’s more like the way we learn to use our bodies – to walk, ride a bike or swim. When we do those actions we don’t have to go back into our brain stores and find the manuals!
The memory functions involved in these skills are embodied.
This is a surprisingly holistic model to develop years before we began to uncover the ways in which all of our mental processes are embodied.
One of the enticing aspects of this theory is that all that we have ever done, experienced or learned, is actually ever present, ever “urgently pressing forward into perception” in ways which deeply influence what we perceive, and also, what we do, now.
Of course, I bet some of you are thinking “memory is constantly and urgently pressing forward into perception”? So, why can’t I remember somebody’s name when I think about them? Why do I come back from the shop without some of the things I went to buy?
I don’t think a dynamic, active model of memory means that we have 100% recall. In fact, clearly, that isn’t the case for any of us, and however memory works, it sure doesn’t include the ability to remember every experience and piece of knowledge we have ever encountered. That’s probably for a very good reason.
I suspect it would be impossible to get through life if we didn’t manage to forget, as well as being able to remember……but then, that’s probably the subject of another post!
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Michael Foley, focusing on Henri Bergson’s philosophy in “Life Lessons from Bergson”, writes –
there is a tendency to see what things have in common rather than what makes them unique, the source of a dispiriting sense of sameness.
In short, we do not see the actual things themselves but in most cases confine ourselves to reading the attached labels.
A crucial function of the arts is to prevent, or break down, dismissive labelling and reveal the singular instead of the similar, the peculiar instead of the familiar, and the inscrutable instead of the understood.
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In Life Lessons from Bergson, Michael Foley writes –
What happens when we fail to live in duration, no longer hear the inner melody and lose touch with the intuitive self? We become frozen, petrified – automatons, slaves of habit or convention or both.
Our freedom, in the very movements that affirm it, creates the developing habits that will stifle if it fails to be renewed by constant effort: it is dogged by automatism.
Could the young but realize how soon they will become mere walking bundles of habits, they would give more heed to their conduct while in the plastic state. (Psychology: The Briefer Course, 1892)
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Bergson constantly distinguished between two selves, meaning two levels of process – a superficial self whose reactions are socially conditioned and a deep, intuitive self capable of empathy and free will…..This deep self is always in danger of being misrepresented by the categorizing self, dismissed as irrelevant by the utilitarian self and snuffed out as a threat to popularity by the social self
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In Michael Foley’s Life lessons from Bergson he says this about Bergson’s concepts of time –
Bergson distinguished two versions of time – time measured, which he defined as clock time, and the experienced, which he defined as duration. Clock time, spatialised and uniformly calibrated, is obviously necessary, but only duration is authentic.
When I was reading Deleuze’s work on cinema I came across Bergson’s concept of duration for the first time. That was my entry point. Realising that the way cinema artificially creates movement by showing you still images in rapid succession was the first time I had encountered the idea that clock time is actually artificial. We invented it. It wasn’t sitting there waiting to be discovered.
We experience time as a flow, not as a rapid succession of images or events.
For most of my working life a large part of the day was divided into blocks of minutes. A standard clinic of follow up appointments would be set out in 20 minute periods. A new appointment allocated 90 minutes. In General Practice the time slots were all much shorter than that. Our Practice was created around standard 10 minute appointments. Other groups used a standard of 5 minutes.
I didn’t wear a watch, and I didn’t have a clock on the wall, but I rarely ran late.
Same thing with giving talks or presentations, or teaching. Whatever time allocation I was given, most times (not always!) I said what I’d come to say in exactly that period of time.
Somewhere in me something kept me to time, but not by measuring minutes. I think that mainly arose through habit and experience. I became able to work according to duration.
Here’s more from the Life lessons of Bergson –
We should learn not to manage time but to let time manage us….the paradox is that the only escape from time is in submission to time. When we are flowing along with a process, awareness of time disappears.
We all know that one don’t we? When we go to a great movie we are surprised that two hours has passed already. When we are absorbed in a great book time disappears. When we are fully immersed in sharing a meal or being with someone we love, time disappears.
The “slow movement” is really based on this concept. In fact, the slow movement is, I think, not about being slow at all. It’s about immersing yourself fully in whatever you are doing. Sinking into, absorbing yourself in, fully enjoying and experiencing the present. The best book I know about the slow movement is Carl Honore’s “In Praise of Slow”. Why not buy a copy, and read it…..slowly?
I love Michael Foley’s suggested exercise of sitting on a sofa a dusk –
The gradual fading of the light is a perfect example of process, ‘succession without distinction’, impossible to catch in action but impossible to miss in effect. And the effect, especially if accompanied by a glass of wine, can be mysterious, enchanted, a spell that encourages reconciliation with process and time.
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