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I am because you are

One of greatest joys of blogging is how it facilitates the discovery, and creation, of connections. My daughter, Amy, who writes the wonderful lessordinary, has developed a whole online network of friends through her blog. She’s a great networker and deliberately creates her blog to make and develop connections with others. Let me tell you a little story which will illustrate how this is such a core quality of hers. When she left school, she was accepted for an English Literature course at Stirling University. We drove her to the halls of residence in the grounds of the university at the start of the first semester and helped her unpack her small collection of belongings from the boot of the car and pile them in bags and cardboard boxes into her small room. If you’ve ever been to a student hall of residence you’ll have an idea of what they are like. This one was typical in my experience – a series of corridors full of identical box like rooms each with the same furniture (most of it custom built to fit the room exactly and screwed to the floor or the walls). At first sight its a bit bleak and very impersonal. It wasn’t easy to leave her there. I shouldn’t have worried though because the very next day she phoned and said when the door closed behind her and she sat in that bleak room alone she cried. Then she thought, well, everyone else in this corridor is in the same boat as me, I’ll go and say hello. So she set off down the corridor, knocking on all the doors, introducing herself and inviting the “freshers” down to the pub for a drink and a chat. She never looked back.

It strikes me that blogging can be a bit like that. Each of these posts is like a little room, something to be discovered, a door to knock on. I’ve been blogging for about 18 months now and there have been over 55,000 visitors in that time. Almost 2000 comments have been left and every one of those comments is like a little knock on the door.

I hope that some of the posts you read here will be like little discoveries for you, that you’ll hear that knock on the door, and that you’ll find new connections and new possibilities in your life. But let me tell you of a recent experience where it’s happened the other way around for me.

A couple of weeks ago a new commenter, Ian, came along and left comments on a few different posts. At the same time he emailed me and introduced himself. In his introduction he described the trail which led to our connection. Ian said he’d been in Ullapool recently and had picked up a copy of “Why do people get ill?”, completely resonated with it and decided to read some reviews online. One of those reviews was the one I wrote on this blog. He browsed my blog and discovered a like mind. He also recognised my name and remembered a poet friend of his mentioning me to him some time back – Larry Butler. Well, not only has Ian left some really interesting links other sites in his comments, but last week he emailed me and asked if I’d like to go to a traditional music concert at the Tolbooth in Stirling. It was an eye-opener for me. Or maybe, more accurately, and ear-opener. Too much to say about it here in this post but here’s the bit which is most relevant to this story. The three musicians, for some of their tunes, all played mandolins. I can’t say I’ve ever been attracted to the mandolin, but one of the people I’ve met through blogging is the wonderful Dr Tom Bibey. He plays mandolin in a bluegrass band and as I listened to the music I not only heard the mandolin differently from how I’ve heard it ever before but – and here’s my point – I heard it differently BECAUSE of the connection with Tom Bibey – and enjoyed it as never before, but the whole evening, and the people I met there, showed me another possibility – that of playing music. I listen to music all the time. But I haven’t played music since I was a teenager. I think it’s probably time to change that. That thought, the possibility of picking up a musical instrument again, is like a rediscovery of part of me. But several decades on, its a rediscovery of a different me, as I’m obviously much changed by my experiences and my connections of the last thirty years or so.

We are who we are because of the people we connect with. Human beings are highly social creatures. It’s impossible to know what a person is like by putting them into a room all by themselves. We reveal ourselves through our relationships. We create ourselves through our relationships. The patients I meet every day change me because they tell me their own, unique stories. Their stories are told from their own, unique perspectives. They are the heroes of their own stories. And in the telling of their stories they show me different ways of seeing and experiencing the world. The world is different after a story. I am different after a story.

Remember that a story has several components – a teller, a tale, something told about, and a recipient of the tale. Through the sharing of our stories we change each other. We create each other.

One of Ian’s links was to Roman Krznaric who has written a fabulous downloadable booklet called “Empathy and the Art of Living”. Go get it and read it. I highly recommend it. Here’s a key extract –

Most books or courses on the art of living focus on how we can
discover ways of improving our own lives. The emphasis is,
unashamedly, on what can be done to help me. I find this kind
of self-help approach too narrow, individualistic and narcissistic.
In my experience, those people who have lived the most joyful
and fulfilling lives have dedicated much of their time to thinking
about and helping others. It has given them not only personal
satisfaction but also a sense of meaning. They have, in effect,
lived a philosophy of ‘You are, therefore I am’.
Einstein recognised the need to move beyond self-help when
he said: ‘Strange is our situation here upon earth. Each of us
comes for a short visit, not knowing why, yet sometimes
seeming to divine a purpose. From the standpoint of daily life,
however, there is one thing we do know: that man is here for
the sake of other men.’ We will always feel something missing if
we attempt to live alone, hermetically sealed in an isolation of
our own making, thinking only of our own pleasures and pains.
The mystery of existence is constituted by our relations with
each other.
The twentieth century was an age of introspection, when
psychoanalysis impelled us to search for who we are by looking
inside our own heads. But the art of living involves escaping
from the prison of our own feelings and desires, and embracing
the lives of others. The twenty-first century should be the age of
outrospection, where we discover ourselves by learning about
other people, and finding out how they live, think and look at
the world.
Empathy is at the heart of how to live and what to do, and is
the ultimate art form for the age of outrospection.

Now I don’t know if Roman has invented that word – outrospection. But if he has then it’s hats off to him! This SO hits the spot! I find myself completely agreeing with this viewpoint. There’s way too much in the world of self-help which turns people in on themselves but most of what I’ve read about happiness includes an emphasis on the human need to connect to others, to connect to a sense of whatever is greater and more than ourselves, to be engaged with the world.

Who I am evolves and changes every day as I live in the world. I’m changed by my daily experiences, not least because of the other people I meet and connect with each day. This very fact brings back to my mind one of the books I have most enjoyed in recent months – Linked by Albert-Laszlo Barabasi.

Barabasi makes it crystal clear that to understand anything in this world we need to examine the connections, the links – how very Deleuzean!

I am because you are

What we see

painting by numbers

I took this photo of a man standing painting the landscape. He had two or three completed canvases at his feet. All his paintings were watercolours and all were realistic representations of his surroundings as he saw them. This was on a sunday afternoon in the busy port area of Cassis but he was completely absorbed in his painting. I was taken by both his absorption in the middle of such busy-ness but also something which has struck me before about people who stand in busy public areas painting at their easels. It seems quite typical that the artist in question comes across as quiet and somewhat detached but surely it also takes a lot of self-confidence to stand in a crowd and exhibit your act of painting.

One more thing…..as is often the case with a photo, once you look at the photo you notice something you didn’t see at the time. Why’s that man got a number SEVEN on his back??

Birds and the bell tower

birds in the bell tower aix

Looked up and saw this as I walked down the Rue Esperiat in Aix en Provence.
It looks like a giant bird cage but all the birds are on the outside and only the bell is inside the cage.

The sunflower seller

sunflower seller

Fascination

fascination

When I was in Tokyo last week there were Autumn Festivals going on. I saw one in the Akihabara district. There were lots of tables set up in the street and up on the first floor of the UDX building, selling freshly cooked seasonal foods and there were many stalls of games for children – Aunt Sally stalls, Archery, flower arranging and so on. There were loads of people there, and everyone seemed to be having great fun. These three wee girls caught my eye. Look how closely they are huddled together, and the sheer concentration in their faces. They are totally absorbed and completely fascinated with something. What is it? Look carefully. It’s a box of crayons. Lovely!

City of reflections

reflected ad

When you’re in a city where a lot of the buildings are covered in reflective glass, what you see can be quite disorientating. I spotted this iMac ad, then thought, hang on, that’s the wrong way round! Then I realised I was looking at a glass clad building.
Then I looked across at this one and saw the crowds of shoppers milling along the pavements. When you look closely some of them look like they are in those distorting mirrors you used to get at funfairs.

reflected crowds

sunset tokyo

Look carefully and you’ll see quite a number of buildings which are reflecting the setting sun. In fact they make a kind of red thread or trail right across Tokyo and up to the sunset. (If you can’t make that out, click on the photo to go to the flickr page where it’s stored and double click it there to see the large version)

Ikebukuro sale

In the subway station at Ikebukuro, Tokyo, market stalls come and go, flourishing for a day, then gone again. This one at the foot of the escalator was selling clothes. It seemed out of place there to me, but probably seems perfectly normal to the local commuters.
Notice the interesting English phrase indicating the huge discounts available…….”Big Off!”

Tokyo views

Do a search on this blog for “ben ledi” and you’ll see the kind of view I’m used to. Then you’ll realise what a culture shock it is to wake up and see this …….

tokyo
tokyo
tokyo

When I first looked out of the hotel window here in Ikebukuro I could only see the vastness of it all. And the fact that as far as I could see there were only buildings. But then I zoomed my camera in on some of the detail.

tokyo
tokyo

This is something you see a lot in Tokyo – an old building surrounded on all sides by tall new ones – like a wee oasis!

Parking must be a nightmare in Tokyo – can you make out the multi-storey parking lot? Do you think they park the cars sideways to get more in?
tokyo

Can you see the tennis courts?

tokyo

This building is right opposite my hotel. The little rail track running around the rim fascinates me. But I haven’t spotted any trains yet!

tokyo

theWarofArt

On the plane from Edinburgh to Tokyo I read theWarofArt by Steven Pressfield (ISBN 9 780446 691437). It’s subtitled “Break through the blocks and win your inner creative battles” and has a brilliant little Foreword by Robert McKee which really captures the essence and the scope of the book. It’s one of those books about creativity in general and writing in particular. There are no breakthrough insights here but it is a highly readable and very inspirational little book which is structured around three sections. The first is all about what stops us from actually creating – Resistance. This is a brilliant section. He describes Resistance as a force. A pretty malevolent force and one that can feel highly personal, but which, in fact, is an impersonal natural phenomenon. It’s what stops us from starting, what stops us from carrying on and what stops us from finishing. As he says right at the beginning –

It’s not the writing part that’s hard. What’s hard is sitting down to write.

Now there’s something you’ve heard before – that to write you need to turn up at the writing table, you need to sit down, stop sharpening the pencils, tidying the notebooks and post-its, stop browsing the web, and WRITE. It’s the getting started that’s hard.

Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.

Isn’t that so true? There’s the things we want to do, the things we feel we should do, the things we feel we were even born to do, and then there’s what we actually do. And as we all know……..it’s what we actually do that matters. The commonest form of Resistance, of course, is procrastination, and he nicely captures its power –

The most pernicious aspect of procrastination is that it can become a habit. We don’t just put off our lives today; we put them off till our deathbed.

He reminds of the common stories of people who have been told they have cancer or some other serious disease and who change their lives from that day on; change their priorities; channel their energies somewhere else. And he reminds us how often these very same people end up surprising the doctors and everyone else by seriously overshooting their death sentence. Why, he asks, do we need to wait till Resistance faces us with disease and death before we pay attention and start to live the life we were born to live?

He’s great about the passive aggressiveness of victimhood. By victimhood he means that use of exterior loci of control so clearly described by William Glasser.

Casting yourself as a victim is the antithesis of doing your work. Don’t do it. If you’re doing it, stop.

There’s really a lot of refined gold in this tight publication. Let me finish telling you about the first section with a reference to his comments about criticism. I often think there are two common attitudes amongst people – the commonest one is to criticise and complain. On any train, in any cafe, in every work place, every day you’ll hear people expressing righteous indignation. It never makes life feel richer and it never seems to solve anything either. The less common attitude is DO, to be creative, to solve or to heal.

Individuals who are realised in their own lives almost never criticise others. If they speak at all, it is to offer encouragement. Watch yourself. Of all the manifestations of Resistance, most only harm ourselves. Criticism and cruelty harm others as well.

The second section of the book is entitled “Combating Resistance. Turning pro”. This contains his advice for beating the phenomenon of Resistance and here’s the secret – it’s to “turn pro”. By this he means living your vocation.

The professional loves it so much he dedicates his life to it. He commits full-time.

He cleverly takes everyday jobs as a model for becoming creatively professional. Here are ten characteristics or principles we can take from doing and everyday job and apply to the work of being creative –

  1. Show up every day
  2. Show up no matter what
  3. Stay on the job all day
  4. Commit over the long haul
  5. The stakes are high and real (it’s about survival, feeding our families, educating our children)
  6. Accept remuneration for your labour
  7. Don’t overidentify with your job
  8. Master the technique of your job
  9. Have a sense of humour about your job
  10. Receive praise or blame in the real world.

You’ll need to get the book to read the detail on those! But I’m sure you’ll agree they make sense.

The third and final section of the book is the one Robert McKee takes some issue with in the Foreword. It’s entitled “Beyond Resistance. Higher Realm” and in it Steven writes about Muses – the spiritual forces which bring us inspiration and which work with our genius. He describes them as Angelic forces but is very clear that you don’t have to believe in Angels to benefit from the work of the Muses. He makes the point that just as we can think of Resistance as an impersonal force, so can we think of the Muse as an opposite impersonal force and he describes how he begins every writing session with a prayer to the Muses. I liked this section at least as much as the rest of the book. However you want to conceive of the Muses, I think he is completely right about them.

Let me finish this little review with one of Goethe’s couplets which he quotes –

Whatever you can do, or dream you can, begin it. Boldness has genius, magic, and power in it. Begin it now.