Feeds:
Posts
Comments

Installation Art

installation

I saw this today in the Jardins d’Albertas in Aix en Provence. From the distance I could see these amazing billowing sheets. I don’t know what they are made of but they floated, danced and drifted constantly. Then as I got closer I noticed all the deck chairs scattered across the grass. I thought they were for people to sit on, but then realised they were part of the same art installation.
The whole set was totally engrossing. I stood here, transfixed, and somehow, those deck chairs seemed like the animals you see at the zoo and in a moment, suddenly, you think “They’re all looking at ME!”
Only once I’d uploaded the photo did I see all the shadows, and there’s one of the ways in which a photo can let you see something even more clearly. Why didn’t I notice the shadows at the time? Well, I’m glad I see them now!

I love a good art installation and I’m a big fan of Anthony Gormley, however, I’m afraid I couldn’t find any information at all about the artist responsible for this work.

Here are some more photos from other angles………
sheets
catch the sheets
rear view

Things aren’t things.

OK, that doesn’t make sense, does it? What I mean is that we tend to view the world as made up of objects, or entities. We do that by focusing our attention on parts of what we see, separating out the bits we want to collect together and name. This is one of our major ways of both making sense of, and managing, our world. A great model to help us to take a different view is that of a network or web. One of the most interesting books I’ve read in recent months is “Linked“, by Albert-Laszlo Barabasi.

Networks are made up of nodes and links. You can see anything you like that way. Let’s start with an object, like the chair you are probably sitting on right now. It’s made up of a number of materials which have been attached to each other……wood, or metal, or plastic, and maybe cloth, or leather or some other material. Take any one of these elements in your chair, say, one of the legs. It’s most likely made of wood, or metal (but maybe it’s plastic). Whatever substance it is, you’ll have the impression it’s pretty solid. Solid enough to stop you falling on the floor at least! But it’s made up of molecules which are connected to each other. And every single molecule is made from atoms which are connected to each other. And that was as far as we used to go. But since we smashed the atom open, we’ve discovered that even that is made from sub-atomic particles, like protons and electrons which are linked to each other. Does it stop there? Nope, even those tiniest of little particles are now known to be made of even smaller elements (quarks for example), all restlessly connected to each other. It seems no matter how far in we go, solid substance escapes us, and we find more and more networks of particles and links. Every particle being another network of particles and links.

Maybe it’s just my mind, but that’s where my thoughts went when I looked at this –
glorious seedhead

Then, a little further along the same embankment, I came across this –
seeds

Some of the seeds have already blown away and I thought about how each of these plants can’t be understood all by itself. They are all connected to other elements around them, and the wind comes and blows some of the seeds great distances, and the seeds fall on the ground, and if there is enough good soil, and water, and warmth, and sunlight, each seed bursts out through its capsule and becomes another of these plants. Vast, great, intricate ecosystems and biological networks.

But here’s another whole scale of connections too. Along comes me with my camera and I take this shot and I connect my camera up to my mac, and I upload it to flickr and copy the code into my wordpress blog and write these words and along comes YOU and you see it and now that seed has connected us to each other.

You know what? It blows my mind!

poppy field, originally uploaded by bobsee.

I took a lot of photos of this particular poppy field, then, for some reason, I crouched down and filled the foreground with one of the wide ribbons of poppies spreading right across the field and as I looked through the lens of my camera I noticed these two olive trees in the distance.
Amy, has written some fabulous guides to photography, and in one of them she talks how a camera can increase your awareness. I completely agree. But, on an occasion like this, it also changes your perspective. If I hadn’t had my camera with me I just wouldn’t have seen this. Crouching down, standing up, zooming in and out with a telephoto lens, moving to different parts of the same field…….not only does all that let you see what you’d miss if you just walked or drove by, but it let’s you see the world differently, let’s you see it as if for the first time.
Look at this field. Isn’t it an inspiration? Aren’t you drawn to the invisible gate between the olive trees? Don’t you wonder about the red carpet spread across the field?
You can spend a long time in a place like this

poppy field, originally uploaded by bobsee.

There are thousands of poppies in the fields in Provence just now. One thing that really strikes me about them is how, so often, they catch you by surprise and how you just can’t take your eyes off them.
As I was walking down the path to the front gate, this splash of red caught my eye. I turned and looked, a gap in the foliage at the side of the path having opened up, and it was as if looking through a window into another world. From another angle, it just doesn’t look like this, but from this spot, right here, it suddenly seemed magical, a gift, a moment to stand and wonder about just how amazing and beautiful the world can be.
It’s inviting, isn’t it? Don’t you want to clamber through and see what lies beyond?

Well, well, well. I bet you thought incense might smell good, it might contribute to a feeling of well-being partly through its symbolic ritual use, and partly through some kind of behavioural training, where the smell triggers previously experienced relaxation.

It transpires, however, that frankincense contains some psychoactive chemicals. The resin from the Boswellia plant “activates poorly understood ion channels in the brain to alleviate anxiety or depression”. OK, so this is one of those strange pieces of research conducted on mice, but the researchers claim they may have identified a whole new class of antidepressant and anxiolytic drugs.

I always find myself a bit torn over these kinds of findings. First of all, it’s certainly interesting to read about new discoveries which may help ameliorate human suffering, and it’s also interesting to hear scientists describe potential mechanisms which explain known phenomena, but there’s something a little disturbing too. It’s that reduction of something to its component parts that always makes me uneasy. Even if the incense contains chemicals which can be shown to act on specific parts of the brain, to extract that component not just from the incense but from the whole experience of which incense burning is just a part, and turn it into a marketable product, feels somewhat diminishing.

Oh well, I suppose there’s no need to do an either/or with this one. If ritual and meditative practice involving the burning of incense increases well-being and a new drug or two can be developed to treat patients who are suffering from anxiety and depression, then who says someone can’t avail themselves of both solutions together?

Let’s consider four verbs which highlight essential characteristics of human beings.

SENSING

All living creatures are sensate. All have sensory organs to pick up stimuli from the environment – light, sound, odours, temperature and so on. As human beings we have a particularly elaborate sensory system, possibly THE most elaborate of all creatures, however, being sensate is a characteristic we share with all animate beings.

FEELING

I have a large hardback copy of Gray’s Anatomy on my bookshelf. I bought it when I was studying anatomy at Medical School back in 1973. I still find it fascinating. The section on the nervous system and the brain shows something incredibly striking. All the nerves which carry the signals from the sensory organs travel first of all to what is termed “the old brain”, the “limbic system” more or less. That always amazed me. Why do all the sensory signals go there? This particular area of the brain is the main emotion generating and processing centre. It’s responsible for those feelings you get of fear, of arousal, of anger, and so on. Modern techniques of brain imaging are helping us to understand this better. It seems that we have developed in a way which allows signals from our sensory equipment to first of all create emotional states. This has a survival advantage. For example, we can quickly develop the “fight or flight” response to successfully deal with any threats around us. Obviously emotions are considerably more elaborate than this. Anthony Damasio is really interesting to read about this subject. “Descartes’ Error: Emotion, Reason and the Human Brain” is a good starting point. But I can also recommend his “The Feeling of What Happens” and “Looking for Spinoza”. You might also like “Consciousness Explained” by Daniel C Dennett and “Emotional Intelligence” by Daniel Goleman. What all of these authors show us is how this particular function of the brain allows us to respond to stimuli from the environment far, far more quickly than we could if we had to become aware of everything consciously first, then figure out what to do about it. That thinking thing comes next! Although it’s not possible to really know the emotional content of another creature’s mind, from observing behaviour patterns it would seem that other animals also have emotions.

THINKING

Those two great parts of the brain known as the cerebral hemispheres are responsible for what we term “cognition”…….thinking. In its entirety, the human brain is THE most complex structure in the known universe. Amazing, huh? And it’s inside your head! There’s way too much involved in thinking for me to explain here but it involves memory, imagination, awareness, concentration and systems of assessment. Once signals have been processed in the old brain (and acted upon!), this “new brain” picks up the trail and processes what’s going on. It’s thinking that let’s us make choices. Some other creatures think too, but, as far as we know, not to nearly the same extent as human beings do. One of the things we’ve done with these capacities is to develop language which gives us the ability to handle and manipulate symbols and to think both abstractly and synthetically. And that leads to the fourth verb – the one which seems to be uniquely human –

MEANING-SEEKING

We don’t just pick up signals, we don’t just generate feelings, we don’t just think about the signals and the feelings to make choices, we do something else. We try to make sense of things. We are always asking the questions “Why?” and “How come?” We are insatiably curious but we are also insatiably trying to understand the world and our experiences. The way we do this is by telling stories. We put everything together and attribute values and meanings to weave narratives which enable us to make sense of the world and of ourselves. We do this in a host of complex ways. Viktor Frankl showed how this is one of our most fundamental drives. See his “Man’s Search for Meaning”. Richard Kearney shows how we use storytelling for this purpose, and Owen Flanagan shows how we inhabit “spaces of meaning” to create our distinct worldviews and narratives.

So, there you have it. Four verbs which make us human – sensing, feeling, thinking and meaning-seeking.  Let me just add one further level of complexity. I’ve presented this is a logical, step-wise way – inspired by those evolutionary biologists – but on a moment to moment basis, these activities of the human being are continuously active and interactive. What sense we make of something influences what we sense and vice versa. Feelings influence thoughts and vice versa. And so on.

What do you think? Do you agree that these four verbs capture what it is to be human? Have you any others you think I should add?

Flourishing.

Isn’t that a great word? I’m reading Owen Flanagan’s “Really Hard Problem” just now and he says the book is about “eudaimonics” – his word for the science of eudaimonia. That’s been translated by many people as “happiness” but apparently “flourishing” is a better translation and I like that word a LOT more than “happiness”. Somehow, happiness has a somewhat more superficial connotation than flourishing. Happiness might be a state, but flourishing captures a dynamic essence. It’s going somewhere, growing, thriving, expanding, improving.

How do things need to be to feel you are flourishing? What supports, encourages, enables flourishing? Which are the flourishing contexts?

I’m still thinking this one through, but the first thing that came to mind was the concept of “flow”. When I feel in the flow, I feel I am flourishing. Flow involves movement, a certain ease and good energy. When I feel frustrated or blocked, or feel in the middle of turbulence, I don’t feel in the flow. The second thing that occurred to me was when I am doing well what I am doing. For example, one day last week, every single consultation I did seemed to go extremely well. I felt I connected so well to every patient, enjoyed meeting them all and felt I could understand them very well. I was doing well what I do – consulting and understanding. Then this last weekend I’ve been teaching and the teaching was easy and fun and the feedback was universally fabulous and I felt I was doing well what I do – teach. A third thing was about energy. When my energy feels good I feel I am flourishing.

Tell me, cos I’m really interested to know – when do you feel you are flourishing? What contributes to that feeling?

Irn-bru is a very Scottish fizzy drink. The ads they make are usually a mixture of clever and funny. This is no exception. What’s interesting to me about this, is that by taking a contemporary cultural perspective and framing it in Kipling’s “If…..” poem, it both captures some really typical aspects of “scottishness” (whatever that is!) and through the postmodernist reference, conveys a sense of values and ideals.
Do you know any ads which do something similar for the culture where you live?

Human beings are sensing, feeling, thinking, meaning-seeking creatures. We are probably the only species of life on Earth to function this way. Consciousness is that strange phenomenon which allows us to be aware of all these functions, and it’s consciousness which has enabled us to develop language which allows us to communicate the inner experiences of our lives.

How do you know what another person senses, feels or thinks? Through the sharing of stories. Our key tool in organising all these elements and conveying these experiences to others is narrative. We put things together in our heads in the form of stories. Remember, a story is created by telling of the present as it is emerging from the past in the light of future possibilities. Stories are dynamic. They move, they grow, they develop. And every story is unique, because every human being is unique. We feel less alone when we find connections with others through the stories we share. We use the imaginative facility of empathy to try to understand what another person is experiencing.

These experiences of our lives are made up of the sensations we become aware of, the feelings which develop inside us, and the thoughts which allow us to put it all together. All of this is framed inside what sense we make of it all. Two people can have very similar experiences but understand those experiences differently because sense each one makes of it is different.

Owen Flanagan, the philosopher, describes this very well in his book, “The Really Hard Problem”. He points out that there are many different ways of making sense of experience and these different ways lead to very different perceptions and understandings of the world. He describes the idea of “spaces of meaning”. A “space of meaning” is what a person lives in and through which he or she experiences the world. A “space of meaning” is publically available.

He describes six such spaces – art, science, technology, ethics, politics and spirituality.

Each of these six spaces of meaning names, or gestures in the direction of, a large domain of life. Art includes painting, poetry, literature, music and popular culture. Science includes all the sciences, as well as whatever synthetic philosophical picture of persons (or reality) is thought to emerge from the sciences. Politics includes the relevant local and/or nation-state form of government as wel as the legal and economic structures it rests on and/or engenders. Spirituality includes multifarious religious practices and institutions, theologies, and such non-theistic spiritual conceptions as ethical naturalism, secular humanism, pagan shamanism, Confucianism, Buddhism and Stoicism.

If we want to understand how some person or group self-conceives, and what kind of worldview they have, then we can consider how they make sense of their experience in relation to these “spaces of meaning”. There are as many different “worldviews” as there are people. If we are to understand each other and communicate then we need to grasp something of our own and the other’s worldview. For some people, one of these “spaces of meaning” will be pre-eminent – for example, there are some who think that only the scientific worldview is the “right” view and that all others are flawed. Others think the same of a particular religious or political view of life. We connect with those who inhabit the same spaces as we do. Most people don’t inhabit only one of these spaces. We each have our unique cluster, but some people seem almost incapable of seeing the world in any way other than through one particular space.

One of the points Flanagan is making is that there is no single “right” worldview. Those who cannot see that fail to connect with others who make sense of their lives very differently.

I think we can all learn something from a bit of self-reflection. Which of these “spaces of meaning” resonate most strongly with you? What does that tell you about the way you make sense of the world?

giant snowdrops

giant snowdrops, originally uploaded by bobsee.

Just because they’re beautiful…..
Actually, one of the reasons I love flower photos, is that I SEE much more in the photo than I usually notice when out walking. The photos seem to actually help me SEE better. In fact, I find carrying a camera changes the way I see the world and somehow stimulates me to notice what I’m sure I’d otherwise just not notice at all. But when I get home and upload my photos to my Mac I can gaze at these flowers on the big screen for AGES.
I hope these simple flowers bring you as much pleasure as they bring me.
Tell me if you get similar experiences with your camera. Does it change the way you SEE the world?