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Posts Tagged ‘fiction’

When NASA shared this photo taken from Artemis II I was entranced. I can’t tell you how much time I’ve spent looking at this. This is a view of planet Earth which few of us will see with our own eyes, but thanks to the astronauts, all of us can see it. Look how much water there is! I know, 71% of the Earth’s surface is covered with water, but it still takes me aback to see these great expanses of oceans. And guess what? There are no divisions between one area of water on the planet and another. The great water cycle, from the oceans and seas, to the swirls of rain-soaked clouds which constantly change shape and size, to the streams, rivers and lakes….what goes into the water, flows from one part of the world to all the others.

The second thing I notice are the auroras, one top right of the image, and the other bottom left. In both cases a thin green glow, illuminating just how short is the distance from the surface of the Earth to the airless atmosphere above. There is this incredibly thin layer around our planet, which makes life possible. Compared to the planet herself, this life sustaining layer is astoundingly thin. It looks so delicate. So fragile. Staring at this slip of atmosphere I’m impressed by how, like the water cycle, all of the air we breathe is undivided. What goes into the air at one point on the Earth, quickly spreads around the entire globe.

Nanci Griffiths sings, in “From a Distance” –

From a distance there is harmony
And it echoes through the land
It’s the voice of hope
It’s the voice of peace
It’s the voice of every man

From a distance we all have enough
And no one is in need
There are no guns, no bombs, no diseases
No hungry mouths to feed

and, later, in the same song……

From a distance you look like my friend
Even though we are at war
From a distance I can’t comprehend
What all this war is for

“From a Distance” was written in 1985 by Julie Gold, and recorded by Nanci Griffith for her album, “Lone Star State of Mind”. I heard Nanci perform it in Edinburgh in the early 1990s, and it delights me still. Yet, there is, of course, a sadness there, because all these years on and there are still pathological narcissists flinging bombs, missiles and bullets at people, killing, destroying, and sowing fear and chaos.

It doesn’t need to be this way.

Human history tells us that we humans excel at killing each other, destroying habitats, and wiping out whole species. But we are also capable of great art, from the cave drawings of Lascaux, to Botticelli, Michaelangelo, Picasso, Van Gogh, and so on. We are capable of creating the most exquisite music, of writing the most astonishing poems and stories. We are able to invent mind boggling technologies. And, most of all, we are one of the most social animals on the planet, deeply desirous of love, affection and caring relationships.

I look at this photo and I think of all of that. I think, with sadness, of the hate, the selfishness, greed and destruction. I think, with hope, of the kindness of strangers, of the infinite creativity of humans. And, most of all, I think, what a tiny, finite world we all share, spinning on this little planet as it flies, soundlessly, across the universe.

We are well capable of creating a better world, recognising what we share, caring for this planet, and all the marvelous diversity of life living here.

Maybe the view from on high will remind us of that, and inspire us to work to achieve it.

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The first book I’ve read in 2025 is “Tomorrow, tomorrow and tomorrow” by Gabrielle Zevin. I didn’t know anything about this book when I bought it. I found it on the English language table in the fabulous Tranquebar bookshop in Copenhagen, and what convinced me to buy it was the blurb on the back, particularly the claim that it was a tale about “our need to connect; to be loved and to love”. However, as clearly displayed on the front cover, several million people had already bought a copy before I did, so, I guess I was a little late to the party. That doesn’t bother me, though.

I thoroughly enjoyed this book. It was well written, engaged me from the very beginning, held my attention and pulled me in. Set in the US, focussed on three characters who create computer games and build a highly successful company, this isn’t a world that I know anything about. I’ve never been a computer game fan, and apart from some very, very early games, haven’t played any, but I didn’t feel out of my depth here at all. I think that’s mainly because there is no focus on detailed tech issues, but, rather on the ideas behind these games. It made me think about computer games more positively than I have done until now (although it hasn’t tempted me to go and play any!). I could see from the story how the experience of game worlds can actually help people to deal with reality, not simply, as I’d believed until now, just escape from it. There can be a power in distraction and escape, especially when someone is trying to recover from significant physical trauma. That’s something I haven’t really explored much even though I worked as a doctor for my whole career. I wonder what part such technology might play therapeutically in the future – and I don’t mean the current wave of data collection and emphasis on numbers and what can be measured. I mean more in the way of stimulating imagination, creativity and relationships.

There’s a particularly believable section of the book which involves a shooting. That felt spot on. It’s easy to see, in the increasingly polarised, judgemental world of America, in particular, that someone could become so enraged by something occurring in a computer game that they’d set off with guns to kill the creators.

The main characters are also very credible, and as the story follows them over many years, we get to experience intensely different phases of their relationships, from the times where all goes well between them, through the times where they drift apart, or even divided. And, as suggested, in that little blurb which caught my attention, it really is a story about the importance of loving and being loved.

A good start to the year.

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